Monday, June 24, 2013

Summer of Love: Midsummer and Marriage Equality



Midsummer is upon us, sweet as strawberries. Friday was the Summer Solstice, the day the Sun shines longest: bonfires were lit, herbs were gathered. Tonight – now –  the full Moon rises in Capricorn, a perigee full moon, closest to the Earth and huge in the sky.

On March 26, the full moon of Easter, two cases came before the Supreme Court of the United States regarding marriage equality, and I cast the Muzoracle. Now the court is on the verge of handing down their decisions, possibly as early as tomorrow, certainly by the 27th. Midsummer is a time of gratitude and celebrating abundance – and love, and marriage. Much has happened since Easter: more states, more people, have come onboard; there seems to be a worldwide transformation of the heart underway. What lies in store for us here in the good ole USA? On Friday I cast the Muzoracle - it’s been stewing here on the casting table since. Tonight, just before moonrise, I added in some Tarot. 

Click to enlarge

The keycenter of B ascending indicates energy moving upward from the Crown Chakra: the vitality that bubbled up from the Earth and was drawn up through us is given back to the stars. The Midsummer Sun shines down most abundantly, and we beam back thanks: we are transformers between the Earth and Sun, and are so transformed. 

The first position in the casting is at se descending, the point of inception; the card is Con Amore, “with love.” Here, at the beginning, love shines down. Con Amore is also a directive card: it directs us to give love ourselves, to let it enter us from above and take seed below through us. The Tarot in this position is the Six of Cups – the remembrance of love, a nostalgia for love. Looks like we’re in for another Summer of Love, folks!

The final three positions of this casting are all ascending, speaking of our personal aims, roles, and challenges. The first of the three is at mi ascending, the point of “effort required.“ Here, at the casting’s axis, we find the Silence card crossed with a Minor Second of Voices. The minor second speaks of a deep, pervasive, even spiritual discord: there are those who find the notion of a world where love in all its forms is respected a serious threat. We are called to respond to this discord with silence – not verbal silence nor inaction, but inner silence, the peace of truth. There is no wrong love: that truth lies in the silent part of everyone. How do we engender such silence, within ourselves and others? There’s the effort – there’s the work. The eight wands sailing through the sky in the Tarot card in this position indicate moving ahead with enthusiasm and optimism.

The next position is at fa ascending, the point where the deeper nature of what’s at hand is revealed. The card: Repeat. Perseverance is key: if we lose one, we keep at it. If we win one, we keep at it. Love is not a single act but countless acts in a way of life. The very purpose of all that’s at hand may be to learn the lessons perseverance teaches. The Knight of Pentacles coming down speaks of the pragmatic nature of this perseverance. 

Finally, with the Devil card at do ascending, we find ourselves setting our intention while assuming the mantle of the oppressed. The Devil card, though, is about delusion: the people in it are in chains so loose they could easily slip out of them if only they thought it possible. The Pivot card says it is possible, and so shall be. A pivot refers refers to a point in music where the melody doesn’t change key while the harmony underneath does. Imagine facing a wall then pivoting on one foot to suddenly face a room full of people, or the sea: “I am I: not that, but this.” This is the kind of clarity called for here at do, the point of intention. As long as we claim the mantle of the oppressed, we most certainly will wear it; the Pivot card allows an opportunity to redefine ourselves. 

Musical notes. In the context of an ascending B major scale, an F natural announces itself most lovingly. In response, a D# and E natural are sung horrifically; the response to that is silence. E strikes again, this time without the D# – and again, and again. Finally, do, hinting at what the opening tritone promised.

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